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Her
knowledge of the manner in which the country's
maps were made and her ability to incorporate
mapping conventions into art all qualify
her as a creative cartographer of the first
order.  |
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| Palliser’s
Triangle, 1997. Synthetic polymer on
linen, 7 ½ x 10 ¼ feet (228.6cm
x 312.4cm). Collection of the National Gallery
of Canada. From The Saskatchewan paintings
which layer historical, geographical and fictional
sources about a part of the world in which Mackenzie
has never lived, but has visited, explored and
researched as an exotic place. |
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